By Stephen Rush
Free Jazz, Harmolodics, and Ornette Coleman discusses Ornette Coleman’s musical philosophy of "Harmolodics," an improvisational process deeply encouraged via the Civil Rights flow. Falling below the guise of "free jazz," Harmolodics should be obscure, even for pro musicians and musicologists. but this booklet bargains a transparent and thorough method of those advanced tools, outlining Coleman’s place because the developer of a logical—and traditionally significant—system of jazz improvisation.
Included listed here are unique musical analyses of improvisations, observed via complete transcriptions. Intimate interviews among the writer and Coleman discover the deeper concerns at paintings in Harmolodics, problems with race, classification, intercourse, and poverty. the main of human equality quick emerges as a important guiding principle of Coleman’s lifestyles and track. Harmolodics is better understood whilst considered in its crucial shape, either as a concept of improvisation and as an inventive expression of racial and human equality.
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Free Jazz, Harmolodics, and Ornette Coleman by Stephen Rush