By Geert Buelens
The poets’ nice warfare: violence, revolution and modernism
The First global struggle replaced the map of Europe perpetually. Empires collapsed, new nations have been born, revolutions surprised and encouraged the realm.
This tumult, occasionally often called ‘the literary war’, observed a unprecedented outpouring of writing. The clash unfolded a vista of percentages and tragedies for poetic exploration, and while poetry was once a device for manipulating the feelings of the combatant peoples. In Germany on my own through the first few months there have been over 1000000 poems of propaganda released. we expect of conflict poets as pacifistic protestors, yet that view has been created retrospectively. The verse of the time, quite within the early years of the conflict—in Fernando Pessoa or Filippo Tommaso Marinetti, for example—could locate within the violence and expertise of contemporary battle an lousy and exhilarating epiphany.
In this cultural background of the 1st global warfare, the clash is obvious from the viewpoint of poets and writers from far and wide Europe, together with Rupert Brooke, Anna Akhmatova, Guillaume Apollinaire, Gabriele D’Annunzio, Vladimir Mayakovsky, Rainer Maria Rilke and Siegfried Sassoon.
Everything to not anything is the award-winning panoramic heritage of the way nationalism and internationalism outlined either the warfare itself and its aftermath—revolutionary pursuits, wars for independence, civil wars, the treaty of Versailles. It unearths how poets performed an essential function in defining the stakes, targets and disappointments of postwar Europe.
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Extra resources for Everything to Nothing: The Poetry of the Great War, Revolution and the Transformation of Europe
Everything to Nothing: The Poetry of the Great War, Revolution and the Transformation of Europe by Geert Buelens